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作者介绍
  • 约翰·莫塞里
  • John Mauceri
  • 约翰·莫塞里(John Mauceri)享誉国际的指挥大师,他在古典音乐、电影音乐及百老汇演出方面都有颇多建树,横扫托尼奖、格莱美奖、奥利佛奖、艾迪森古典音乐奖,2次获得法国权威“金音叉唱片大奖”(Diapason d'or)、3次获得艾美奖(Emmys)、4次获得德国精品唱片奖(DeutscheSchallplatten awards) ,他在耶鲁大学任教15年,担任北卡罗莱纳大学艺术学院的校长...
  • 《音乐之战:追忆二十世纪》
  • THE WAR ON MUSIC: Reclaiming the Twentieth Century
  • 图书类型:音乐
  • 者:John Mauceri
  • 出 版 社:Yale University Press
    代理公司:InkWell/ANA/Lauren Li
    页    数:248页
    出版时间:2022年5月 
    代理地区:中国大陆、台湾
    审读资料:电子稿
  • 人:Rights      浏览次数:893          视频资料

内容简介

一位世界知名指挥家探讨了上世纪的战争对古典音乐的持续性伤害,以及它对我们的制度的腐蚀,并呼吁复原、和解和包容。

《音乐之战》(The War on Music)对二十世纪的古典音乐做出了重要的评价。约翰·莫塞里(John Mauceri)认为,这段时期的音乐是由那个世纪的三场主要战争所塑造的:第一次世界大战、第二次世界大战和冷战。

为了探究为什么自1930年以来很少有作品被纳入正典,莫塞里考察了那些伟大作曲家的轨迹,他们在第一次世界大战后创作了独特、多才多艺、但表面上看起来更简单的音乐。他认为,作曲家在第二次世界大战期间的命运与各自政...
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媒体评论

“[Mauceri’s] writing is more exhilarating than any helicopter ride we have been on.”
—Air Mail

“Fluently written and often cogent.”
—Barton Swaim, Wall Street Journal

“The great virtue of John Mauceri’s The War on Music is that it acknowledges what many writers on the subject know but can’t say: that something went badly wrong in music in the 20th century, and especially after 1945. . . fluently written and often cogent.”
—Barton Swaim, Wall Street Journal

“Two world wars changed the course of music in the 20th century. Charting the malign influence of politics, from Hitler to Stalin, Mauceri shows how music became part of the weaponry of identity. Refugee composers lost their place in the mainstream and Mauceri argues for a re-evaluation of those forgotten and discarded.”
—Richard Fairman, Financial Times ‘Best summer books of 2022: Classical music’

“[Mauceri’s] book grapples with what constitutes good classical music by approaching the subject from a provocative angle: Why do we not play more often the music banned by Hitler, specifically Schoenberg, Korngold, Hindemith, and Weill? And why instead do we fall for so much of what John Mauceri calls the “institutional avant-garde,” typified by Helicopter String Quartet, by German composer Karlheinz Stockhausen, with, yes, each player in a separate chopper? The reader may not agree with Mauceri’s analysis, but his writing is more exhilarating than any helicopter ride we have been on.”
—Air Mail

“A well-founded, cogent, and forceful argument for a fresh look at all of the century's great music, much of it written under extraordinary circumstances, and why we need to go back and listen.”
—Jon Burlingame, author of The Music of James Bond

“A profound thinker and observer and an eminent American musician, John Mauceri brilliantly explores the contested terrain of twentieth-century classical music and adds a whole new dimension to our understanding of musical politics and musical repertory.”
— Larry Wolff, author of The Singing Turk 

“En garde! In his provocative new book The War on Music: Reclaiming the Twentieth Century—one that is certain to initiate heated and impassioned discussion—the prodigiously talented and multifaceted conductor and writer John Mauceri throws down a musical gauntlet as he endeavors to upend and re-examine some of the reigning assumptions of the history of post-war twentieth-century classical music. No matter how one responds to the thrust of John Mauceri's sweeping musical worldview, one must salute him for his fervent, dauntless, and audacious engagement.”
—Jonathan Cott, author of Dinner With Lenny: The Last Long Interview With Leonard Bernstein

 “Mauceri’s brilliant The War on Music begins with the question, ‘Why do we not play the music Hitler banned?’ and then pulls back the curtain to answer it, in chilling detail.”
— Robert Thompson, President, G. Schirmer

相关资料

曾获得奥斯卡金像奖提名的《塔尔》灵感来源于“约翰·莫塞里”
Academy Award nominations are out this week with six nominations for Todd Field's Tár, starring Cate Blanchett, and inspired, in part, by the writings of conductor and author John Mauceri.

最新好评:

John's books have been called "engrossing" (The Wall Street Journal); "engaging, funny, and profound" (The Boston Globe); "eloquent and inspiring" (Library Journal) and "magnificent" (New York Journal of Books). 

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